Black Celebration (1986) and Music For The Masses (1987) led to Depeche Mode’s masterwork Violator (1990), blending ominous synths with rock guitar for classics like “Personal Jesus” and “Enjoy The Silence.” Their newfound flair for the blues exploded in the goth-grunge swamp gospel of 1993’s Songs Of Faith And Devotion (“Walking In My Shoes”), as well as, recent global hits like Playing The Angel (2005) and Delta Machine (2013).Įlectric Light Orchestra, or more popularly known as ELO, were formed in Birmingham England in 1970 when Jeff Lynne and Roy Wood, members of The Move, had the vision to start a new project that would create modern rock and pop songs with classical overtones. Depeche Mode built a diehard cult – and helped invent the goth subculture – with groundbreaking hits like “Master And Servant” (1985), “Stripped” (1986), “A Question Of Lust” (1986) and “Never Let Me Down Again” (1987) – while their electro reboot of “Route 66” showed off their wry take on the R&B verities. town of Basildon in 1981 with the New Romantic synth-blast of Speak And Spell, as tunesmith Vince Clarke brought his sense of pop classicism to the dance floor in hits like “Just Can’t Get Enough” and “Dreaming Of Me.” When Clarke left the group (to make inventive records with his groups Yaz and Erasure), Gore stepped up to become one of his generation’s most influential songwriters, with his own black-leather blend of existential despair, erotic kink, political bite and sly wit.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |